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What are you listening to?

last midnight



1966 Blue Note
Bobby Hucherson:Vibe; Heribe Hancock: Piano;Bob Cranshaw Bass, Joe Chambers Drums


Vibe@件爵士贩侵髁菲髟Bobby Hucherson奏下成榱Blue Note 60年代一道炫的L景, 如果Bobby Hucherson玩的是琴, 那很人期待,他是不是可以在60年代和Herbie Hancock平分秋色, 他的音防砟詈同F代性超^了他同r代的其他S多肥.

著美的60年代末F代爵士烦片包括Heribe Hancock的最著名的作曲Maiden Voyage, 有美的waltz"BOUQUET ",u[的"AQUARIAN MOON ",西班牙L味的ROJO,抒情的ballad "WHEN YOU ARE NEAR"以及F代性的THE OMEN. 琴和Vibe的音色有r候起有n突,可是Herbie的琴@eG~陪未_更突出Vibe的音色.

如果你喜gvibe,你喜g60年代後期的F代庀⒌木羰, 或者你喜gBobby Hucherson,那一定不要e^著唱片,只是目前只有日版,Amazon上得r是48.99美元...  

Track Listings
1. Aquarian Moon        
2. Bouquet        
3. Rojo        
4. Maiden Voyage        
5. Head Start        
6. When You Are Near        
7. The Omen

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这个BOBBY HUCHERSON的HAPPENINGS,日版决定盘1500系列马上即将发行(7月22日),售价1500日圆,约105人民币,还可以接受的,呵呵

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还是8.39的BN迷人

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这个老皮错了.

引用:
Knitting Factory的东西在美国发行就少之又少。想在国内YLJ中见到,几乎是不可能
纺织工厂的日版国内垃圾市场到过好些品种,不过好的较少而已.

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有时候我真的需要一些强悍的力量,所以今天我听



还有我最喜欢的BRYAN FERRY的:

能抽上一根烟,抚慰心情.

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那就是我错过了。
这两天在听得东西都是Stan Getz离去前的作品,本来以为一种莫名的原因略感伤心,听过惆怅的Stan Getz那种已知天命的萨克斯音色,更加感到一种莫名的惆怅。

Bossas & Ballads: The Lost Sessions


1. Sunshower  
2. Yours and Mine  
3. Joanne Julia  
4. Soul Eyes  
5. Spiral  
6. Beatrice         
7. The Wind         
8. El Sueno         
9. Feijoada  

Credits

Stan Getz--Tenor Saxphone
Kenny Barron--Piano
George Mraz---Bass
Victor Lewis--Drums


Cafe Montmartre




1. People Time  
2. I Thought About You  
3. Soul Eyes         
4. I Can't Get Started  
5. I'm Okay
6. Falling In Love  
7. I Remember Clifford         
8. Blood Count         
9. First Song  

Credits:

Stan Getz--Tenor Saxphone
Kenny Barron--Piano
Victor Lewis--Drums
Rufus Reid--Bass
[SIZE=1][FONT=Garamond][b]Don't go changing, to try and please me You never let me down before Don't imagine you're too familiar And I don't see you anymore I wouldn't leave you in times of trouble We never could have come this far I took the good times, I'll take the bad times I'll take you just the way you are[/b][/FONT][/SIZE]

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凌晨我置身在古巴的小酒馆里
风来疏竹,风过而竹不留声;雁过寒潭,雁去而潭不留影。故君子事来而心始现,事去而心随空

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昨晚喝t酒Red Garland一旋律化L格中cMonk式重舻匿琴奏: Red Alone



Track Listing: When Your Lover Has Gone/ These Foolish Things/ My Last Affair/ You Are Too Beautiful/ I Got it Bad (And That Ain’t Good)/ The Nearness of You/ Nancy (With the Laughing Face)/ When I Fall In Love.

Personnel: Red Garland- piano. Recorded: April 2, 1960, NYC.

Style: Mainstream/Bop/Hard Bop/Cool

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I的一

One For All是一~s炙手可岬哪贻p肥值某M合,在Criss Cross下l行了很多唱片,@是去年在日本一搞噪音的小牌Venus下的一非常棒的主流爵士:No Problem.


Track Listing: Our Father Who Art Blaky [sic], No Problem, Moanin', Whisper Not, Ugetsu, Time Off, Prelude to a Kiss, One for All

Personnel: Joe Farnsworth (drums), David Hazeltine (piano), Eric Alexander (tenor sax), Jim Rotondi (trumpet), Steve Davis (trombone), Ray Drummond (bass)

Style: Mainstream/Bop/Hard Bop

This starlit group hits the ground running with drummer Joe Farnsworth's driving tribute to Art Blakey: it's an introduction that says, “we have arrived, folks, just buckle up and ride.” Not a hard thing to do and great fun to boot. Recorded at New York's historic Avatar Studios in April of 2003, the sextet's combined mastery and energy are impressive to say the least. “One for All” includes some of the brightest lights in jazz today, who apply themselves to a spirited program of classics and two band originals C the aforementioned blistering “Our Father...” and trombonist Steve Davis's infectious closer, “One for All.”

Fans of Eric Alexander's masterful tenor work will be especially delighted by his solo on “No Problem.” So will David Hazeltine fans, and Jim Rotondi fans, and....in fact, the consistently strong solos are some of the many pleasures of this disk, along with the band's ability to play together as a driving force. The fact that the arrangements of classics like “Moanin'” and “Whisper Not” are pretty standard detracts nothing from the pleasure of their rendering by a group of this caliber.


On “Time Off,” where trombonist Steve Davis first displays the group's communal intention to take no prisoners, I was reminded of the old Maxell ad where the music blows the listener's hair straight back. The guys finally take a breath on “Prelude,” in an interesting arrangement where Alexander evokes the ghost of Coltrane's ballad playing and Drummond steps up to the melody.


Recorded so frontally that it sounds live, “One for All” is a powerful supergroup recording that cures the winter blues

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David Hazeltine (piano), Eric Alexander (tenor sax), Steve Davis (trombone), Ray Drummond (bass)
都是露脸不多,来头不小的大师级人物
[SIZE=1][FONT=Garamond][b]Don't go changing, to try and please me You never let me down before Don't imagine you're too familiar And I don't see you anymore I wouldn't leave you in times of trouble We never could have come this far I took the good times, I'll take the bad times I'll take you just the way you are[/b][/FONT][/SIZE]

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